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  1. #11
    DWG Warrior
    Join Date
    Oct 2011
    Posts
    40
    Quote Originally Posted by Bob Disaster View Post
    I do find it a bit corny that these dudes can just go to Cosmos or other 'curated vinyl boutiques' (pukes in mouth) and drop a wad on some mega rarers they heard on youtube. You don't need to put any work in to get the knowledge and a good ear anymore. Its all there at a press of a button and a big enough wallet. But maybe I'm just jealous I'm not rich and can't ball out in Shimokitazawa record shops.
    I remember reading in a history book how medieval knights were upset that after years of training with honnor values, they could get killed by a mere peaseant with a cross bow 400 m away.
    Growing up, I didn't know a single hip hop producer. Today, I know three self-proclaimed beatmakers in my immediate circle and none has a hardware machine (SP1200,AKAI3000), all on FL Studios. A boom bap beat from a top producer (Lord Finesse,buckwild,Diamond D,etc) used to probably cost 5k in 90's. They will be lucky to get 100$ today. That is why a lot of producers do collabo projects instead.
    What was valued yesterday won't necessary be valued in the future. That is the way of the world.

  2. #12
    DWG Warrior
    Join Date
    Oct 2006
    Location
    Copenhagen, Denmark
    Posts
    5,194

  3. #13
    DWG Warrior
    Join Date
    Oct 2006
    Location
    Espoo Finland
    Posts
    9,269


    I must get this record arrrgh
    Hypnotical Gases - Keeping my proboscis out of the dirt.

  4. #14
    DWG Warrior
    Join Date
    Sep 2007
    Posts
    593
    How can it be boom bap if there is no drums though?

 

 

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